In Its Purest Form: a rare insight into the work of Joan Skinner
Agis, Gaby & Moran, Joe (2002), Foundation for Community Dance, p. 20-22.
You can’t make a leaf to grow by stretching it : some notes on the philosophical implications of Skinner Releasing Technique
Alexander, Kirsty (2001), in Performance Journal 18 Winter/ Spring, Centre for Movement Research in New York, p. 8-9.
Unravelling the Dance: an exploration of dance’s underdeveloped relationship with its kinaesthetic nature
Alexander, Kirsty (2003), paper presented at the New Connectivity Conference, London: Laban.
Regarding the Nature of Process in the Skinner Releasing Technique
Davidson, Robert (1979).
Towards Attunement as Research Method in Poetic Forensics Project
Unearthing Undercover: Intimations relating campesinos, the more-than-human and the politically disappeared in my art practice.
Unexpected Witness: An Artistic Practice from a ‘plurality of ways of knowing’ surrounding political disappearance.
Releasing into Process: Joan Skinner and the use of imagery in the teaching of dance
Davis, Bridget. (1970). Coventry University, UK. Available to purchase via this link.
An action of orientation – Skinner Releasing Technique in reflective practice
Sally E. Dean and Julie Nathanielsz, (2017)
An Image That’s Alive: Conversation on the image worlds of Skinner Releasing Technique & Amerta Movement
Sally E. Dean, Margit Galanter, Lily Kiara, and Julie Nathanielsz (2020)
Skinner Releasing Technique: dancing from within, in Journal of Dance and Somatic
Emslie, Manny (2009). Volume 1 Number 2, p. 169-175.
Skinner Releasing Technique: A Movement and Dance Practice (Paperback)
Emslie, Manny (2021). Triarchy Press
Releasing Sensibilities: Joan Skinner in conversation with Gaby Agis
Hobson, Will (1997). Volume 13 No.3, Spring 1997.
PhD Thesis: Practice and Process – Skinner Releasing Technique and Making Dance for Performance and on Screen
Hudson, Polly (2017) Coventry University, UK.
Metcalf, Sally (2003).
Quiet Unfolding: Skinner Releasing Technique in Britain
Moran, Joe (2006).
‘The Kinaesthetic Imagination’, interview with Joan Skinner, Contact Quarterly
Neuhaus, Bettina (2010). In French in De l’une à l’autre: composer, apprendre et partager en mouvements, Bruxelles: Contredanse, 2011
Learning to Dance in the 21st Century: Skinner Releasing in a New Materialist Frame
Lizzy Le Quesne (2018) in Journal of Dance and Somatic Practices 2018. Issue 10.1 ‘Pedagogy and Process: Somatic Informed Education in a Postmodern Era’
An Intricate Field. In search of freedom and togetherness: inter-subjectivity and materiality in shared space.
Lizzy Le Quesne (2015) Chapter in Attending to Movement, Ed Natalie Garret-Brown, Kirsty Alexander, Sarah Whatley, Triarchy Press 2015
Travelling from the middle through the middle, paper presented at the New Connectivity Conference
Skelton, Rebecca (2003).
Exploring Counter Balance: Aligning the roles of Dance Artist, Educator and Researcher within Higher Education.
Skelton, Rebecca (2002).
The Illustrated Encyclopaedia of body-mind disciplines
Skinner, Joan (1999). Rosen Publishing Group, p. 265-267.
Skinner Releasing Technique: Imagery and its Application to Movement Training, in Contact Quarterly
Skinner, Joan, Bridget Davis, Robert Davidson, Kris Wheeler & Sally Metcalf (1979). Volume V.1 Fall 1979.
Skura, Stephanie (2006), in Dance Magazine, June 2006.
Slowing and Stilling: Gardening and Releasing
Hudson, Polly (2019). Journal of Dance & Somatic Practices Volume 11 Number 2
We Reap What We Sow, embodiment and urban allotment gardening
Hudson, Polly (2021). Ruuku Journal (2021) Part 1: autumn- late winter.