Following on from last month when we shared the first of a trio of peered reviewed articles by Livia Daza-Paris, this month we wanted to share Towards Attunement as Research Method in Poetic Forensics Project
This essay aims to articulate how ‘attunement’ as a method functions in my proposed notion of poetics forensics as investigative art practice. Described as “palpable and sensory, yet imaginary and uncontained” by K. Stewart (2011:445) – whose influence I will often return to in this paper – my explorations with attunement are developing as part of my PhD project Poetic Forensics: Investigative practice-led research on my politically disappeared father and notions of body, peoples and land (Daza-Paris, in draft).
