She wondered how it was possible to
‘grip, hold on, pull up’ … and breathe?
Something prompted her to begin
experiments with two mirrors, a barre
and a journal – searching for something
more organic, a state just below
conscious control where the dancer
becomes the dance and where creative
and technical merge and blend.
This month we share an article by Gaby Agis and Joe Moran published in the Foundation for Community Dance in 2002, which is one of the many resources on our website.
You can read the full article here
